Over the past thirty years, American artist and architect Maya Lin has designed and created a wide variety of memorials, large-scale site-specific installations, sculptures and architectural works. Although her body of work is diverse—in form, media, and context—landscape is the primary inspiration underlying much of her artwork. From Lin's early projects like the Vietnam Veterans Memorial to her recent earthwork Storm King Wavefieldand her upcoming project What is Missing?, Maya Lin's interest in how we relate to and experience landscape remains the most powerful element in her artwork.
Maya Lin has maintained a careful balance between art and architecture throughout her career, creating a remarkable body of work that includes large-scale site-specific installations, intimate studio artworks, architectural works and memorials.
Landscape is the context and the source of inspiration for Ms. Lin's art. She peers curiously at the landscape through a twenty-first century lens, merging rational and technological order with notions of beauty and the transcendental. Utilizing technological methods to study and visualize the natural world, Ms. Lin takes micro and macro views of the earth, sonar resonance scans, aerial and satellite mapping devices and translates that information into sculptures, drawings and environmental installations. Her works address how we relate and respond to the environment, and presents new ways of looking at the world around us.
From recent environmental works such as Storm King Wavefield, Where the Land Meets the Sea and Eleven Minute Line to the Vietnam Veterans Memorial, where she cut open the land and polished its edges to create a history embedded in the earth, Ms. Lin has consistently explored how we experience the landscape. She has made works that merge completely with the terrain, blurring the boundaries between two- and three-dimensional space and set up a systematic ordering of the land tied to history, language, and time.
Her studio artwork has been shown in solo and group museum exhibitions throughout the United States and abroad. Ms. Lin's current exhibition Maya Lin: Systematic Landscapes originated at Henry Art Gallery in Seattle and is the first to translate the scale and immersive capacity of her outdoor installations to the interior space of a museum. Maya Lin: Three Ways of Looking at the Earth, Selections from Systematic Landscapes was shown most recently at The Pace Gallery (formerly PaceWildenstein) in September 2009.
Ms. Lin is represented by The Pace Gallery in New York City.
Maya Lin’s acclaimed work encompasses large-scale environmental installations, intimate studio artworks, architectural works, and memorials. Her artwork interprets the world through a twenty-first century lens, utilizing technological methods to study and visualize the natural environment. Through sculpture and drawing, Lin merges rational order with notions of beauty. Blurring the boundaries between two- and three-dimensional space, Lin sets up a systematic ordering of the landscape tied to history, time, science and language. Lin has been the subject of solo exhibitions at museums worldwide, and has also created permanent outdoor installations for public and private collections from New York to New Zealand. She is at work on her final memorial, What is Missing?, a project that raises awareness about the crisis surrounding biodiversity and habitat loss. Born in 1959 in Athens, Ohio, Lin graduated from Yale and the Yale School of Architecture.
Her architectural works have included institutional and private commissions, from a chapel and library for the Children's Defense Fund to the Sculpture Center's space in Long Island City to Aveda's headquarters in downtown Manhattan to private residences throughout the Country. Ms. Lin completed the design for the Museum of Chinese in America's new space in Manhattan's Chinatown, which opened in the spring of 2009.
Maya Lin has been drawn to the critical social and historical issues of our time and addressed them in her memorials, including the Vietnam Veteran's Memorial in Washington DC, the Civil Rights Memorial in Montgomery, AL, the Women's Table at Yale University. Currently she is working on the Confluence Project, a multi-sited installation spanning the Columbia River system in the Pacific Northwest that intertwines the history of Lewis and Clark with the history of the Native American tribes who inhabit those regions. With a critical eye toward the environmental changes that have rapidly occurred, Ms. Lin's Confluence Project has brought significant ecological restoration to six state and national parks along the Columbia River Basin. It is an ongoing project with three of the six sites completed. For more information visit www.confluenceproject.com.
“I work with the landscape, and I hope that the object and the land are equal partners.” Maya Lin
Ms. Lin is currently working on what will be her last memorial, entitled What is Missing? which will focus on bringing awareness to the current crisis surrounding biodiversity and habitat loss. Once again reinventing what a monument can be, What is Missing? will be a multi-sited work existing in select scientific institutions, online as a website, and as a book. It debuted at the California Academy of Sciences in September 2009 with a sound and media sculpture installation located at the Academy's East Terrace.
A committed environmentalist, Lin has consistently focused on environmental concerns, promoting sustainable building design in her architectural works, while making the environment the subject of her artworks. She is deeply committed to focusing attention back to the environment and to ask us to pay closer attention to the natural world.